一个家庭难以谈论感情、爱或亲密关系。购买、出租和修理挖掘机需要整个家庭的关注。每个人都必须参与其中。当女儿遭遇不幸事故后，家庭的和谐生活就此破灭。儿子宁愿去美国也不愿接管公司。父亲喜欢上了新的唱诗班指挥，而母亲突然发现自己孤身一人。

一个家庭难以谈论感情、爱或亲密关系。购买、出租和修理挖掘机需要整个家庭的关注。每个人都必须参与其中。当女儿遭遇不幸事故后，家庭的和谐生活就此破灭。儿子宁愿去美国也不愿接管公司。父亲喜欢上了新的唱诗班指挥，而母亲突然发现自己孤身一人。

The general manager at a highway-side ''sports bar with curves" has her incurable optimism and faith, in her girls, her customers, and herself, tested over the course of a long, strange day.

The general manager at a highway-side ''sports bar with curves" has her incurable optimism and faith, in her girls, her customers, and herself, tested over the course of a long, strange day.

本作は井野ジュンの同名マンガを原作とした「OL×おじさん×イケメン」によるトライアングルラブコメディ。引っ込み思案のOL・宮下まつりは取引先のイケメン営業マン・樹に思いを寄せているが、気持ちを伝えられないでいた。そんなある日、まつりは交通事故に遭遇し、営業一筋30年のおじさんの意識が、なぜか彼女の脳内に飛び込んでくる。こうしてOLとおじさんの不思議な“脳内同居生活”がスタート。まつりは困惑するが、おじさんは脳内から彼女の仕事や恋愛にエールを送る。

本片改编自井野纯同名漫画，讲述了“OL×叔叔×帅哥”的三角恋爱喜剧。畏缩不前的OL·宫下祭对客户的帅哥销售员·树抱有好感，但却无法传达自己的心情。有一天，祭祀遭遇了交通事故，一个经营了30年的大叔的意识不知为何闯入了她的脑中。就这样，OL和大叔不可思议的“脑内同居生活”开始了。虽然祭很困惑，但是大叔从脑中为她的工作和恋爱加油。

以职业教育为背景的都市轻喜剧，讲述了立志成为挖掘机大拿的女主杨晓琪与一心想成为美容美发界翘楚的男主白贺，在争夺学校至高荣誉的对决中从互为对手到惺惺相惜，和厨师班、汽修班同学结成跨技术专业小组参与学校助力乡村振兴工作的励志故事。影片贴合国家大力发展职业教育的主流导向与教育规划，通过青春洋溢的人物、幽默风趣的故事、生动感人的情节为职业教育的普及与宣传展开一副多姿多彩的画卷。

On her birthday, Chien received a polygraph as her birthday gift. On that night, she decided to play a game of truth and lies with her boyfriend, Chi. The polygraph eventually forced both of them to confront the hidden undercurrents in their relationship. Who is lying? What secrets does this polygraph hold?

In Iceland, a giant tunnel boring machine called 'Jaws' has chewed up nine miles of basalt to aid a hydroelectric project. See the rock cruncher at work as it burrows deep down.

The Zapruder filmmakersgroup tells the never-before-told story of Hercules in twelve vignettes. At petrol stations and roundabouts, in sports halls, sculpture storerooms and at music festivals, we encounter the Greek hero as a distant translation: performances by bodies and machines re-enact scenes from sword-and-sandal films linked to him. In this film, we are confronted with Hercules and the idea of the myth in a manner that is both scattered and compressed: the stories have become unrecognisable and what remains is always the same motif of a fight – against bulldozers, training bags, time, or oneself. Zeus Machine. L’invincible is the document of performances and is as a film itself a performance that sets narrative, documentary and experiment modes in motion to really shake up an old man before picking up the vestiges of him that remain.